The Alchemy of Song.

I adore being a writer. I love it for so many different reasons, but one of the strongest is being able to use something I’m good at for helping other people, or making them smile.

 

Of course, I hope that my fantasy series, Artesans of Albia, connects emotionally with my readers. I like to think I can feel them laughing, crying, getting angry, feeling sad, experiencing the first pangs of love, grieving, and all the other human emotions that keep us alive, along with me as I write. I have always written from an emotional viewpoint, and I have a hard time imagining how you could NOT write from an emotional viewpoint. I invest every bit of my heart and soul into what I write – be it fiction, non-fiction, or songs. I know from the wonderful reviews that King’s Envoy and King’s Champion have received that many readers are able to feel what my characters feel, and this is something vitally important to me. I know I have succeeded as a writer when that happens.

 

The other aspect of my creative life, however – song writing – is different. The addition of music to the words heightens or changes the listener’s responses, because there are two different connections going on. First you have the meaning conveyed by the words of the song. This, generally, is unambiguous, although some song writers do seem to delight in producing words that confuse and puzzle! With those who don’t, the listener immediately knows what the writer is trying to say.

Then there’s the more visceral, maybe even spiritual, connection formed by the music, which is a far more subjective and fluid medium than the written word.

With written words, readers can impose their own ‘voice’ or imagination over that of the writer, and this can sometimes alter the meaning of those words beyond anything the writer envisaged. Written words can be fickle, even misunderstood. Think of those texts or emails sent in haste, whose recipients took umbrage over what was meant as a joke. It is nigh-on impossible to convey tone of voice with a few bald words, and emoticons must be used instead, to provide a visual key.

With music, however, it is so much easier to convey emotions that everyone can instantly relate to. Even people who don’t like music can hear the mood the composer intended to create. And when you put both together! – well, an alchemy occurs unlike any other, instantly transporting the listener to a unique place inhabited only by that song.

 

This is what I have tried to do in my own song writing. The songs I am creating for my Artesans series are steered by each book – some exist in full within the book itself, in poem form, such as The Wheel Will Turn, from King’s Envoy, used here in the book trailer from Rhemalda Publishing. Others exist as snippets, or are only mentioned by title. Creating these is a challenge I relish.

A completely different challenge, however, comes into being when you decide to create a song for someone else. It becomes a beast with dual nature, because there is someone else to please – someone else’s feelings and desires to consider.

When I read Mikey Brooks’ soon-to-be-published MG novel, The Dream Keeper, I immediately wanted to create that alchemy by writing the lullaby that eases young sleepers into the Land of Dreams. Mikey’s prose enabled me to hear the song so clearly, and the more I thought about it, the more I found myself humming a pleasing and soothing melody. In his book, the lullaby exists only as a hummed melody – there are no words. However, my creative juices had started to run and I simply had to add some words. Once this was done, of course, I had to face the hardest part of all – I had to let Mikey hear it! What he didn’t know – and won’t know until he reads this blog post – is that I have never written a song for anyone else before. I have written songs with people, and I have worked with others on my own songs, but I have never actually created a song completely and totally for someone else – let alone without their knowledge! Plus, I had to record it on my computer, with just my voice and my rusty old guitar that I haven’t played for years!

 

Thankfully, the recording came out well enough for Mikey to imagine how the polished lullaby would sound. I was so relieved he liked it! I recorded it to a lovely sound track created by my wonderful song-writing partners: David Snell (my brother) and David Shepherd (collectively known as Nex’t’Nothin). I will be adding it to my website as a free download, and I’m sure it will feature on Mikey’s website too. Maybe even on a trailer for The Dream Keeper, so why not watch out for it? And while you’re at it, why not buy The Dream Keeper when it is published? It’s a wonderful book, well written, with lots of tension and action. It’s classed as MG, but it’s a great read for adults, too! I will be hosting a Giveaway and a guest post by Mikey on this blog on May 24^th. Hope to see you then!

Coming Up With Ideas

Hello everyone, and may I take this opportunity to wish all my friends, followers, fans and fellow book lovers a very Happy New Year!

Today I am privileged and excited to be kicking off 2013 by welcoming onto my blog my lovely friend and fellow writer Mikey Brooks. This is a first for me, because I haven't before hosted a guest on my blog. It's high time I did and I'm so very pleased that my first guest is Mikey.

Mikey and I met in June 2012 in Salt Lake City, Utah, at Rhemalda Publishing's 'Got Stories?' reading and writing conference. We didn't have too much time to get to know each other then, but the spark of friendship and kindred spirit was born. Since then we have worked together, and I have come to realize what an undiscovered talent Mikey is. Not only in his writing (watch out world - Mikey has some great novels to share!) but also as an illustrator. Having dabbled with "art" in a very superficial way myself, I know how hard it is to produce something good. Not only is Mikey's artwork appealing and pleasing to the eye, it also has an irresistible quality that makes you want to see more. I'm sure you will agree when you see the examples further down this post. 

Mikey has some great tips in his post about where you can find ideas to fuel your writing muse. He also has a GIVEAWAY going on over at Goodreads - details at the bottom of his post, so don't miss it! I will hand over to him now and let him tell you all about his work. Take it away, Mikey! 

Coming up with Ideas

By: Author/Illustrator: Mikey Brooks

 

The idea of Bean’s Dragons actually came from my three year old daughter. One day I was standing in the dining room and she started yelling at someone in the living room. When I went to see who it was the only person in the room was her. She explained to me that her dragons were jumping on the couch and she had told them over and over to get down. Playing along with her imagination, I opened the front door and asked her dragons to go home. Fortunately they never did.

 

I believe ideas for stories can be found anywhere. We just have to be open to receive them when they do. The best way to keep your ideas flowing is to be doing other things than writing. I know this might sound off the wall, but it’s true. You need to immerse yourself in all things creative. Watch a few shows, read a few books, hang out with kids and ask them to describe crazy things like the tickle monster, or even draw a picture. Ideas really can be anywhere.

 

Once I have an idea I find it helpful to write it down. I have a notebook on my nightstand that has a pen next to it. Sometimes I’m woken by fantastic dreams or ideas that I think will be great to write about. Sometimes I can’t read the scribbled notes in the morning, but most of the time I get the hint of what I was trying to say. I think it is important to have a notebook, or something for you to collect ideas on, with you all day long. Fortunately I have a smart phone now and can jot down notes anytime in it. Before my phone I used to write on the backs of napkins, scrap paper, even toilet paper. Ideas for my middle grade book The Dream Keeper, started as a dream I had one night. I wrote down what I remembered from it and then later when I was at work I began to sketch out notes on cake order forms (yes, I work in a bakery).

 

 Now that you have an idea, should you work on it right away? If you are not working on something currently, then yes. If you already have a work in progress, then file those ideas away. Sometimes I will take the idea and write out a few scenes, maybe even an outline before I file it away. That way I have something a little more to bridge from later. Don’t let the surge of ideas keep you away from finishing your current project. Idea drawers are great!

I started writing Bean’s Dragons immediately after I saw my daughter playing with her imaginary friends. I was also working on my middle grade book at the time so I never got around to finishing it. Once I was able to focus on just the picture book, I wrote out the story line and started to create the pictures of the dragons. Here I used a lot of my daughter’s help. Working with kids can be amazing fun. If you ever have a chance to do it, do it.

 

My daughter helped me pick out all the colors for the dragons and even helped with what they looked like. This was really a joint effort. As I was drawing out the dragons, more ideas for the story came into my head. This goes back to my previous statement that drawing helps with ideas. It didn’t take long to change up the story a bit to fit in what the drawings had given me. In the end I think it turned out to be a terrific book that is a fun read.

I hope you found this bit of information helpful. For other tips on writing, illustrating, and more visit: www.insidemikeysworld.com or my blog at www.writtenbymikey.blogspot.com.

If you have a question, don’t hesitate to ask.
You can find me on Goodreads at: http://www.goodreads.com/InSideMikeysWorld
on Twitter: @writtenbymikey 
on Pinterest at: http://pinterest.com/writtenbymikey/
and on Facebook: as Mikey Brooks,
or email me at: insidemikeysworld(at)gmail.com.          

You are invited to check out Bean’s Dragons and my other books, including the newest release: ABC Adventures: Magical Creatures at www.insidemikeysworld.com or on Amazon.

 

 And thank you Cas Peace for allowing me to give a guest post on your blog. I don’t need to say this because anyone following Cas’s blog already knows how amazing she is, but for those of you who don’t, Cas really is an amazing friend and colleague and I am grateful for her and all she does. Now go check out her books, because they are awesome too!

 

About the Book: Bean’s Dragons.

Have you ever had a dragon in your house? How about a dozen? Bean is a little girl with an imagination that is creating quite a mess. Although Bean loves each of her dragons, she forgets how untidy they can be when having so much fun. When Bean's parents discover what's happened in their short absence, Bean finds herself the blame of the dragons' giant mess.

You can find more about Bean’s Dragons at: http://www.insidemikeysworld.com/beans-dragons/

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There is also a GIVEAWAY on Goodreads for Bean’s Dragons and for ABC Adventures: Magical Creatures. Make sure to enter soon, the contest ends on January 26^th!

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On Editing ... A Door Called Sally.

Some of my fellow Rhemalda authors have blogged recently on the subject of editing and, with the second book of my Artesans of Albia series, King’s Champion, nearing this process, I thought I would add my own thoughts.

Being a British author in an American publishing company brings its own unique set of circumstances when it comes to edits. As I am also a freelance editor, proofreader and writing mentor, I have experience of this process from both sides. Does it make having my own work edited easier or harder? The answer is that I don’t really know. No one likes to see their precious text covered with red, or have someone tell you that a certain scene doesn’t work, or that you have failed to spot a glaring typo in the sentence you’ve read a hundred times. Yet maybe I can take this process easier than some, because I have personal experience of trying to be diplomatic when dealing with other writers. I know that the process isn’t personal, and that my editor is trying to help me make my novel as clean and as good as it can be. And I do know how hard it is to spot your own mistakes! A case in point was when I first decided to design and have printed some King’s Envoy bookmarks and flyers. How many times did I check and recheck the wording on the files before I sent them to the printer? And how ticked off was I when they came back, and my mother instantly spotted the “h” missing from the word “publisher” and the “g” missing from the middle of “engaging”?

Very ticked off. Seriously – very!

So, if an experienced proofreader can still miss typos, a good, impartial editor is invaluable.

Yet there is leeway for discussion when your edits come back, especially if your novel, like mine, is set in a particular historical period.

My Artesans of Albia series is set within a completely fictional fantasy world, yet for inspiration I drew heavily on the English Medieval period. There are no machines in my novels, no guns or engines; people rely on horses for transport and swords, bows and knives for defense. The nobility live in fortified manors or castles, wealthier citizens in towns, the ordinary people in small villages. Health care is basic, with drugs being purely herbal, although procedures such as blood transfusions are just coming into use.

 Ok, you are thinking – what does this have to do with editing?

It all comes down to terminology.

If you follow a certain trade, you will use terms that most lay people will not understand. For instance, how many people today could name all the parts of a sword? How many of you know what a tang is, or a quillon? Yet a swordsmith or blacksmith would know these terms intimately. The same applies to the various sections of a castle – it’s no good someone telling you there’s a fire in the bailey if you run with a bucket of water to the keep.

This issue of long-forgotten, or specialized terms came up for me once the first round of King’s Envoy edits came back. Two in particular caused some confusion. The first was the word “midden”, and the second was the term “sally port”. For those of you who don’t know, the word “midden” means a dung heap. It can apply equally to what comes out of a horse’s stable or to the unusable leftovers from a kitchen. It is, quite simply, a pile of refuse. This is where the differences between UK English and US English come into play because although it’s an old word, I believe more UK readers would recognize the term than readers in the US. As it was not vitally important to the story, and I didn’t want to make my readers keep reaching for their dictionaries, I was quite happy to substitute this word and use “dung pile” instead.

However, the term “sally port” is a specialized term relating to castles and fortified manors. Simply put, a sally port is a small door either to the side of, or actually let into, the huge doors or gates leading into a fortified building. It would be used when a small number of people, on foot, wanted to enter or leave. The word “sally” can also mean a charge or sortie (as in battle) or to go forth, as in an excursion. The term is derived from the Latin “salire”, meaning “to leap”. (Who says fantasy novels can’t also be educational? J)

In this case, I felt justified in sticking to my guns and asking for the term to be kept in the novel. As the photographs show, I also managed to find a living example of a genuine sally port in the ruins of a small castle in Pembroke, Wales, UK.

So, although the editing process can often mean change, it can also be useful for highlighting what is important, or what needs to remain.

How Do You Find Inspiration?

One of the commonest questions fiction writers get asked, I think, is “where does your inspiration come from?” The simplest, and actually truest, answer is “everywhere”, yet that always sounds like a cop-out to me. In reality, inspiration CAN come from anywhere; from your everyday life, from the people around you. It hides within the events of your day, or maybe what you see on TV or read in the newspaper. It can spring out at you from something you overheard, some joke or snippet of gossip while you were in the coffee shop or having lunch with your friends. Creative people can recognise inspiration where others might only see the ordinary, or mundane.

Personally, I think that finding inspiration also depends on what type of genre you write in. If I was a romance writer, or a crime writer, I could find a wealth of inspiration on any news channel. Horror writers too, I’d imagine – far too often! But what if you’re like me, a fantasy writer? How does a writer who works in unfamiliar, created worlds find inspiration? Does it come purely from our own imagination or can it also be found in our everyday lives?

The answer, of course, is “yes, of course it can,” and just the other day I found a prime example of how inspiration works for me.

I am extremely fortunate to live in a particularly beautiful and rural part of North Hampshire in the UK. I am surrounded by farmland, by fields of crops, by hedges that change their colours depending on the season. Rabbits and hares, deer and pheasant run in the fields (not always a good thing when you own Lurchers, as I do!) and there are wide field margins around which the farmer permits us to walk. Our roads are country lanes and therefore fairly quiet, and the village is one of the prettiest around. It also contains some of the nicest people you could wish to meet.

This area is primarily a working, food-producing farm. Wheat, sesame, oilseed rape, grass for seed and hay, sheep, cattle and pigs can all be found in the fields. Tractors are a regular sight and they can churn up the lanes and field margins, especially at this time of year. Farmers by nature and profession are a practical lot, not given, you’d be excused for thinking, to flights of fancy. And yet, one day, I turned a corner of a field I often walk around and was confronted by the scene in the photo above. There, in the entrance to a mundane, muddy, working farmyard were these fabulous standing stones, appearing as if by magic (although I suspect by tractor) overnight. I was entranced. Such an unexpected sight immediately set my writing senses a-tingle – how could I fail to be inspired?

What gets your creative juices flowing? Has anyone else come across something so unexpected, it resulted in a piece of writing? I’d love to hear!

Take Your Opportunities Where You Can.

Recently, I attended the British Fantasy Society convention in Brighton, UK. I had never been to one before and I have to say that these things are not normally my cup of tea. I’m quite shy among lots of people I don’t know and I’m not good at starting up random conversations with strangers. Even when those strangers share a common interest, i.e fantasy novels. However, because King’s Envoy had so recently been launched, and because I’d had the excitement and acclaim of having a short story accepted for the Society’s 40^th Anniversary Anthology, ‘Full Fathom Forty’, it was too good an opportunity to miss. So, along with my husband, I went.

The convention was held over three days, Friday through to Sunday. Due to work and other commitments, we couldn’t go until the Saturday morning. This meant I missed being in the signing line up for Full Fathom Forty on the Friday afternoon, which was a shame. It would have given me the chance to meet my co-anthology-authors, and also the opportunity to speak to buyers of the anthology about King’s Envoy. Still, it couldn’t be helped.

Once we registered on the Saturday and collected our goodie bags full of free books and other yummy stuff, we planned our day. Christopher Paolini, author of the Inheritance Cycle, was being interviewed that morning and I thought it would be interesting to hear what sort of questions he was asked and how he handled them (just in case someone ever wanted to interview me like that!). The interview lasted around 45 minutes and it was quite interesting. I was slightly surprised to see how few people turned up to listen though – he was one of the major convention guests yet only about a third of the available seats were taken. The best bit for me was when he was asked a question concerning what he thought about the fantasy genre in general. His answer was that in his opinion, there was a lack of strong, credible female main characters in fantasy novels. My husband nudged me at this point and whispered that if Christopher Paolini wanted to see a really credible and strong female fantasy character, he ought to read MY books. I smiled and nodded – like THAT was ever going to happen. Imagine my surprise when, after audience questions and the interview broke up, my husband went up to Christopher and gave him a copy of King’s Envoy! To the guy’s credit, he actually looked interested and said he’d read the book when he could. I would never have had the guts to do that, but my husband is very used to conventions in his own business life and he’s very good at connecting with people.

That was the first good thing to happen at the convention. The second occurred when I was waiting to try and catch the eye of an agent who I knew would be attending the convention. This agent is known for representing fantasy authors and years ago, when I first began submitting King’s Envoy, she was very helpful to me. She was the first real publishing industry professional to give me any feedback on my work. She was very encouraging, and looked at my work on three separate occasions. Although she didn’t take me on, she did give me much helpful advice. As she was going to be at the convention, I thought it might be nice to introduce myself and thank her for all her help.

While I was waiting for her to come out of another meeting, I was approached by a guy who said, “I saw you in Christopher Paolini’s interview. Would you mind giving me your thoughts on how it went?” It turned out that he was working for Random House, Christopher’s publishers, and he was doing video interviews with people. I agreed to be interviewed and managed to get in a few good plugs for my book, including the one about strong female characters. That was a bonus I didn’t expect!

I then managed to catch the agent as she came out of her meeting and found that she was as nice as she had seemed from her emails. I think she was genuinely pleased that I’d taken the time to connect with her and thank her, and then she asked for a copy of my book! I hadn’t tried to plug it at all and I hadn’t shown it to her, so there was no pressure on her to ask for one. Her favorable reaction to the cover picture really pleased me and she seemed genuinely interested in reading the book. Who knows what could come of this? I’m not even sure I’m looking for an agent, but when opportunities present themselves like this, I believe in taking them. I also believe in thanking people who go out of their way to help me.

These three things all came about quite unexpectedly, and stemmed from me pushing myself to do something out of my comfort zone. The lesson here is that you should never think something isn’t worth doing, and you should take these opportunities where you can. Who knows where they might lead?